"Grace Potter and the Nocturnals got a chance to play to an audience worthy of their collective talents. Coming from the same Vermont countryside as many of the farming activists who populated the "Barn Yard," a communal information encampment beside the stage area, Potter not only prettied-up the main stage, but added some home-grown intelligence to a farm-information panel later in the day.
The Nocturnals revved-up the house with "Nothing But The Water," a secret weapon of a tune they normally reserve for their encore that features a killer a cappella opening and ends with a full-band drum solo, gathering all four members around the kit flailing away."
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